I had been wanting to experiment with geometric perspective-localized paintings of typography on three-dimensional spaces, using projector-stencil techniques. This was inspired by artists such as George Rousse and Felice Varini, whose works I studied years ago. My goal was to create a motion sequence, utilizing this technique over a period of time, to create an optical illusion, ultimately blurring the line between 2D and 3D. By moving the camera away from its optimal perspective, I was able to warp the numbers and create a unique series of forms.